Identity

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In this segment, Sho Yamagushiku discusses how the Canadian and Japanese gender norms may shape

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Content Warning: a derogatory term for Vietnamese people (“g**k”) commonly used during the War is spoken. While we have not censored the clip for the historical accuracy of the story, please use your judgement before listening as it may be offensive to hear.

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Katari Taiko was formed in 1979 and was the first modern Taiko group in Canada. Its creation was catalyzed by Taiko performances by Japanese group Ondekoza and American group San Jose Taiko in the late 70s at Powell Street Festival.

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Here, a Japanese Canadian activist, Glen Nagano, speaks on the difficulty of mobilizing his friends to join the Asian Canadian activist movement

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In this segment, Japanese Canadian activist Glen Nagano speaks on the relationship between the past and our identities.

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In this segment, Izumi Sakamoto and activist Glen Nagano discuss shikata ga nai (“it can’t be helped”) sentiments and the loss of family history.

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In the early 70s Japanese Canadian activists began to gather together at conferences and art exhibits to promote the growing Asian Rights Movement in Canada.   

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Before the rise of social media, activists had to come up with creative solutions to reach others in their community.

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Taiko groups in Canada provide a unique space for many to explore their Japanese Canadian identity.

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In 1972, the Asian Canadian Experience Conference brought together young Asian Canadians from across Canada.

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After the war, survivors of mass incarceration were scattered across Canada. For many, the trauma of incarceration led them to resist forming place-based community with other

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While for some taiko was a way to show pride in their Japanese Canadian identity, for others it was a way of discovering it.

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Taiko drumming is art form that has allowed many to explore, express, and connect with their Japanese Canadian identity.

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While some survivors of the mass incarceration of Japanese Canadians did not talk about their experiences during that time, others communicated them in in a myriad of ways.

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In this segment, John Endo Greenaway discusses how he and other bandmates of Kokuho Rose Prohibited were inspired by San Jose Taiko’s performance at Powell Street Festival.